Free Essays on Tompkins Essay

, historians, filmmakers, or documentarians are endowed to blend this so- called tradition of â€Å"fact and fiction† to create something real in â€Å"an attempt to engage, represent, and understand the lives of others. In his essay, Coles provides examples of work that is social, cultural, and historical. After all, his goal as a documentarian was to grasp an understanding of white culture facing adversity at its highest. The photographs of the â€Å"migrant mother† is a perfect example of ways in which artists can manipulate reality by adding special factors and variables. The contrast in backdrop moves the viewer from a narrow and broad scope of grief to a solid sense of sadness of an individual faces. Let alone, her eyes and expression speak for themselves in a state of deprivation. The children hide in a shy manner, as if they don’t exist, in order to emphasize the migrant mother’s puzzled and miserable outlook. An example Coles uses of a work that is individual or idiosyncratic is the novelist’s approach of writing. â€Å"A novelist uses his or her lived experience and the observations he or she has made and is making in the course of living a life as elements of a writing life. Fictional devices, that is, inform the construction of nonfiction, and of course, fiction, conversely, draws upon the actual, the â€Å"real-life.† With his idea of â€Å"human actuality†, Coles suggests that fiction is a blend of facts. Through documentaries, the public is guided see things in a certain way. Coles considers this as something positive because it enhances an au... Free Essays on Tompkins Essay Free Essays on Tompkins Essay In â€Å"The Tradition: Fact and Fiction,† Robert Coles says that â€Å"in shaping an article or book, the writer can add factors and variables in two directions: social and cultural and historical on one hand, individual, individual or idiosyncratic on the other† ( Coles 177 ). In other words, historians, filmmakers, or documentarians are endowed to blend this so- called tradition of â€Å"fact and fiction† to create something real in â€Å"an attempt to engage, represent, and understand the lives of others. In his essay, Coles provides examples of work that is social, cultural, and historical. After all, his goal as a documentarian was to grasp an understanding of white culture facing adversity at its highest. The photographs of the â€Å"migrant mother† is a perfect example of ways in which artists can manipulate reality by adding special factors and variables. The contrast in backdrop moves the viewer from a narrow and broad scope of grief to a solid sense of sadness of an individual faces. Let alone, her eyes and expression speak for themselves in a state of deprivation. The children hide in a shy manner, as if they don’t exist, in order to emphasize the migrant mother’s puzzled and miserable outlook. An example Coles uses of a work that is individual or idiosyncratic is the novelist’s approach of writing. â€Å"A novelist uses his or her lived experience and the observations he or she has made and is making in the course of living a life as elements of a writing life. Fictional devices, that is, inform the construction of nonfiction, and of course, fiction, conversely, draws upon the actual, the â€Å"real-life.† With his idea of â€Å"human actuality†, Coles suggests that fiction is a blend of facts. Through documentaries, the public is guided see things in a certain way. Coles considers this as something positive because it enhances an au...